The Barenreiter urtext edition of Handel's masterwork is impeccably clean and authentic to Handel's original manuscripts. Available in English and German editions, it is a popular choice with European
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The Baerenreiter edition of Mozart's masterwork; this has become a staple in the repertoire.
A minimum quantity of 4 is required on this title.
Between 1996 and 2000, Barenreiter published scholarly critical editions of Beethoven's nine symphonies edited by the first-class musicologist Jonathan Del Mar. The editorial process was a huge undertaking
This publication of a new completion of the Mozart Requiem offers a source-critical edition of Mozart's fragmentary Requiem as well as an alternative to the traditional Süssmayr version. It makes it
Cherubini's Requiem Misa pro defunctis (Mass for the Dead) was premiered in 1817 in Saint-Denis. This dramatic and compelling work is in Latin, separated into seven movements and interestingly
Beethoven’s sacred works include two settings of the Mass. The Mass in C Major, completed and premiered in 1807, has been unjustly described as a preliminary step towards the completion of his great
Edited by Stephan Blaut. For SAATBB choir & orchestra. Urtext Edition. Preface in Ger. and Eng. A coronation anthem. Vocal score, 32 p.
This urtext edition for SATB chorus and piano is based on the volume of the Complete Works of Gabriel Faure published in 2010. The vocal score is compatible with the first small-scale version
Mendelssohn's Violin Concerto in E Minor, Op. 64 was completed in 1844. It was written to showcase the talents of violinist Ferdinand David, who was concertmaster of the Leipzig Gewandhaus Orchestra where
Edited by Stephan Blaut. For SSAATBB choir & orchestra. Urtext Edition. Preface in Ger. and Eng. A coronation anthem. Vocal score, 19 p.
This edition of Franz Schubert's Magnificat D 486 is based on the composer's autograph score and is the first to make use of his authorized performance material. It offers alternative readings that make the
This Urtext edition takes into account all the sources, including the old and the new complete editions whose relationship is clearly explained. In several passages, renowned Beethoven specialist Barry
Following upon Alexander’s Feast (1736), in 1739 Handel produced a second setting of the Ode to St Cecilia (“Song for St Cecilia’s Day”). At its première it
Dvorak composed the cycle Moravian Duets for two treble voices with piano accompaniment at the request of the Prague wholesale merchant Jan Neff in 1876. This was a turning point in the career of
Mendelssohn's setting of Non nobis Domine marked the arrival of his maturity as a composer of sacred music and was the first in the series of five great psalm-cantatas that, along with the
Edited by Jonathan Del Mar. For piano & orchestra. Urtext Edition. Preface in Ger. and Eng. The editor has closely
Psalm 137 was an inspiration for many composers including Saint-Saëns, who set the text four times. This setting, the original composed in 1854, features solo soprano, mixed choir, saxophone quartet,